Immagine 1 di 1
Immagine 1 di 1
Immagine 1 di 1
Immagine 1 di 1
Structure as landscape.
Repetition as vertical tension.
Industry as nature.
Modern Forest transforms electrical towers into a symbolic woodland. Through mirroring and symmetry, the industrial structure loses its purely functional identity and becomes rhythmic architecture. The pylons rise like trunks, aligned in strict vertical progression, suspended within a dark, atmospheric void.
There is no horizon. No ground.
Only elevation.
The composition operates through duplication. The mirrored axis amplifies repetition, creating a controlled visual corridor where geometry replaces organic unpredictability. What appears mechanical begins to feel almost sacred — a contemporary cathedral built from steel and current.
Black becomes depth.
White becomes skeleton.
Space becomes resonance.
As in All Birds Are Black, repetition here does not decorate — it intensifies. The image investigates how industrial forms, when isolated and restructured, can generate contemplative stillness rather than noise.
Limited edition fine art print
Signed and numbered
Certificate of authenticity included (issued and signed by the artist, delivered separately)
Archival pigment print
Produced to order
Frame not included
50 × 70 cm — Hahnemühle Fine Art Paper
30 × 45 cm — Artistic Paper
(Stay toward the higher end if edition is limited to 10–15 prints.)
Designed for modern, minimalist and contemporary interiors.
The vertical rhythm creates architectural tension, making it ideal as a statement piece in structured, design-focused environments.
An image that elevates the gaze.
A landscape that questions what “natural” means.
Collect this work.
Certificate of authenticity included.
Produced to order.
Frame not included.
Photography by Simon Joyce. Available exclusively on the official website.
Explore related works:
– Couple Portrait
– All Birds Are Black
Structure as landscape.
Repetition as vertical tension.
Industry as nature.
Modern Forest transforms electrical towers into a symbolic woodland. Through mirroring and symmetry, the industrial structure loses its purely functional identity and becomes rhythmic architecture. The pylons rise like trunks, aligned in strict vertical progression, suspended within a dark, atmospheric void.
There is no horizon. No ground.
Only elevation.
The composition operates through duplication. The mirrored axis amplifies repetition, creating a controlled visual corridor where geometry replaces organic unpredictability. What appears mechanical begins to feel almost sacred — a contemporary cathedral built from steel and current.
Black becomes depth.
White becomes skeleton.
Space becomes resonance.
As in All Birds Are Black, repetition here does not decorate — it intensifies. The image investigates how industrial forms, when isolated and restructured, can generate contemplative stillness rather than noise.
Limited edition fine art print
Signed and numbered
Certificate of authenticity included (issued and signed by the artist, delivered separately)
Archival pigment print
Produced to order
Frame not included
50 × 70 cm — Hahnemühle Fine Art Paper
30 × 45 cm — Artistic Paper
(Stay toward the higher end if edition is limited to 10–15 prints.)
Designed for modern, minimalist and contemporary interiors.
The vertical rhythm creates architectural tension, making it ideal as a statement piece in structured, design-focused environments.
An image that elevates the gaze.
A landscape that questions what “natural” means.
Collect this work.
Certificate of authenticity included.
Produced to order.
Frame not included.
Photography by Simon Joyce. Available exclusively on the official website.
Explore related works:
– Couple Portrait
– All Birds Are Black