Limited edition fine art print — only 15 prints available.
The Arrow explores the visual power of symmetry, direction and architectural abstraction. Two illuminated surfaces rise from an almost infinite darkness, converging towards a central axis that creates the unmistakable impression of an arrow pointing upwards.
The photograph transforms an architectural detail into a powerful geometric composition, where light and shadow become opposing forces shaping the perception of space.
The composition is organised around a strong vertical axis. Two pale surfaces emerge from the darkness, their parallel lines guiding the eye towards the upper part of the image.
At the centre, a sharp triangular form interrupts the luminous surfaces, creating a sense of depth, movement and visual tension.
The architecture is no longer simply a physical structure. It becomes a direction.
Light becomes movement.
Darkness becomes dimension.
Geometry becomes intention.
The photograph is built around a radical contrast. The surrounding darkness conceals almost everything, allowing only selected architectural surfaces to emerge.
This selective illumination creates an ambiguous relationship between visibility and disappearance. The structure seems suspended in an undefined space, detached from its original environment.
The image offers no conventional architectural reference. Its meaning develops through the interaction of lines, angles and illuminated planes.
What we see is not simply a building, but a visual construction that suggests movement, ascent and transformation.
Part of the Abstract / Visual Research collection, The Arrow investigates how architectural forms can become symbolic compositions through perspective, reduction and controlled light.
The arrow is not represented directly. It emerges from the geometry of the structure itself, inviting different interpretations: a direction, an aspiration, an opening or a passage towards something unknown.
The photograph does not provide an answer.
It establishes a point of departure.
Limited edition of 15 prints
Signed and numbered by the artist
Certificate of authenticity included
Archival pigment print
Produced to order
Frame not included
30 × 45 cm — Artistic Paper
Smooth finish, ideal for smaller spaces.
50 × 70 cm — Hahnemühle Fine Art Paper
Textured museum-quality paper for a more tactile fine art presentation.
The strong vertical composition, dramatic lighting and monochromatic palette make The Arrow a distinctive focal point in contemporary interiors.
Its geometric character works particularly well in minimalist environments, modern architectural spaces and interiors where visual contrast and clean lines play an essential role.
Own this limited edition.
Each print is produced to order, signed and numbered, and accompanied by a certificate of authenticity. Carefully packaged for worldwide delivery.
Photography by Simon Joyce
Available exclusively on the official website.
Limited edition fine art print — only 15 prints available.
The Arrow explores the visual power of symmetry, direction and architectural abstraction. Two illuminated surfaces rise from an almost infinite darkness, converging towards a central axis that creates the unmistakable impression of an arrow pointing upwards.
The photograph transforms an architectural detail into a powerful geometric composition, where light and shadow become opposing forces shaping the perception of space.
The composition is organised around a strong vertical axis. Two pale surfaces emerge from the darkness, their parallel lines guiding the eye towards the upper part of the image.
At the centre, a sharp triangular form interrupts the luminous surfaces, creating a sense of depth, movement and visual tension.
The architecture is no longer simply a physical structure. It becomes a direction.
Light becomes movement.
Darkness becomes dimension.
Geometry becomes intention.
The photograph is built around a radical contrast. The surrounding darkness conceals almost everything, allowing only selected architectural surfaces to emerge.
This selective illumination creates an ambiguous relationship between visibility and disappearance. The structure seems suspended in an undefined space, detached from its original environment.
The image offers no conventional architectural reference. Its meaning develops through the interaction of lines, angles and illuminated planes.
What we see is not simply a building, but a visual construction that suggests movement, ascent and transformation.
Part of the Abstract / Visual Research collection, The Arrow investigates how architectural forms can become symbolic compositions through perspective, reduction and controlled light.
The arrow is not represented directly. It emerges from the geometry of the structure itself, inviting different interpretations: a direction, an aspiration, an opening or a passage towards something unknown.
The photograph does not provide an answer.
It establishes a point of departure.
Limited edition of 15 prints
Signed and numbered by the artist
Certificate of authenticity included
Archival pigment print
Produced to order
Frame not included
30 × 45 cm — Artistic Paper
Smooth finish, ideal for smaller spaces.
50 × 70 cm — Hahnemühle Fine Art Paper
Textured museum-quality paper for a more tactile fine art presentation.
The strong vertical composition, dramatic lighting and monochromatic palette make The Arrow a distinctive focal point in contemporary interiors.
Its geometric character works particularly well in minimalist environments, modern architectural spaces and interiors where visual contrast and clean lines play an essential role.
Own this limited edition.
Each print is produced to order, signed and numbered, and accompanied by a certificate of authenticity. Carefully packaged for worldwide delivery.
Photography by Simon Joyce
Available exclusively on the official website.
